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Mezzo-sopranos

Jordanka Milkova

BiographyJournalView CV
Jordanka Milkova, Mezzo-soprano
Kanttila / Artists
Jordanka Milkova, Mezzo-soprano

The artist

In focus.

Ensemble
Staatstheater Nürnberg (Former); Theater Pforzheim (Former); Theater Biel-Solothurn (Former).
Freelancer
Semperoper Dresden; Teatro Petruzzelli Bari; Savonlinna Opera Festival; Hong Kong Arts Festival; Bühnen Bern; Stadttheater Gießen; Staatstheater Cottbus; Finnish National Opera (announced for 2027).

Bulgarian-Swiss mezzo-soprano Jordanka Milkova’s recent appearances include Azucena in Il trovatore in Gießen, Filipievna in Eugene Onegin at Bühnen Bern and Fata Morgana in The Love for Three Oranges at Staatstheater Cottbus. In 2027, she is scheduled to sing Offred’s Mother in Poul Ruders’s The Handmaid’s Tale at Finnish National Opera.

Ms. Milkova made her Semperoper Dresden debut as Carmen in 2022 and returned as the Witch in Hänsel und Gretel in 2023/24. In 2023, she made her house debut at Teatro Petruzzelli in Bari as Venus in Wagner’s Tannhäuser. Other recent engagements include Fata Morgana in Magdeburg, Ježibaba in Rusalka in Heidelberg and Regensburg, and Santuzza in Cavalleria rusticana at the 2024 opera gala at Schloss Haldenstein.

In three seasons at the Savonlinna Opera Festival, Ms. Milkova sang Ortrud in Lohengrin under Philippe Auguin as well as Suzuki and Maddalena. Ortrud subsequently brought her to the Hong Kong Arts Festival. As Venus, she sang at the Internationale Maifestspiele Wiesbaden alongside Klaus Florian Vogt. She has appeared at the Aalto Theater Essen, Théâtre National du Luxembourg, Teatro Comunale di Ferrara, Teatro Comunale Luciano Pavarotti di Modena and Mikhailovsky Theatre in St. Petersburg.

Her repertoire balances dramatic roles such as Dalila, Eboli, Amneris and Klytemnestra with lyric parts and trouser roles, including Hänsel, Nicklausse and the Composer in Ariadne auf Naxos.

In concert, Ms. Milkova has sung Verdi’s Messa da Requiem, Mozart’s Requiem, Mahler’s Second, Third and Eighth Symphonies, Górecki’s Symphony of Sorrowful Songs and Wagner’s Wesendonck-Lieder. In spring 2025, she sang Mahler’s Second Symphony at Tonhalle Zürich and KKL Luzern with the Alumni Sinfonieorchester Zürich under Johannes Schlaefli. She has also sung at Victoria Hall Geneva, Tonhalle Düsseldorf, Tampere Hall, Helsinki Music Centre and Murten Classics.

After graduating in Sofia, Ms. Milkova studied with Jane Thorner-Mengedoht in Bern, earning her concert diploma in 1999 and her opera diploma with distinction at the Swiss Opera Studio in 2001. Early engagements in Biel-Solothurn and Pforzheim preceded her ensemble membership at Staatstheater Nürnberg.

View CV

From the agency journal

Beyond the profile.

Recent Kanttila Management posts featuring Jordanka Milkova.

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Kanttila Journal01
Kanttila Management Instagram post, 20 January 2025
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Congratulations to Jordanka Milkova on her successful premiere of Eugene Onegin yesterday at Opera Bern in Switzerland, where she brilliantly portrayed the role of Filipjewna.

For upcoming performance dates, please visit: https://buehnenbern.ch/spielplan/programm/eugen-onegin/ #theaterbern #jordankamilkova #kanttilamanagement #eugenonegin #operasinger #bulgarianoperasinger @jordanka.milkova

20 January 2025·Instagram ↗

Kanttila Management · JournalFollow Kanttila on Instagram ↗
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Jordanka Milkova · Mezzo-Soprano

At a Glance

Bulgarian-Swiss mezzo-soprano Jordanka Milkova specialises in the dramatic mezzo repertoire, with roles including Carmen, Dalila, Eboli, Amneris, Ortrud and Venus. Her international engagements include the Semperoper Dresden, the Savonlinna Opera Festival, the Hong Kong Arts Festival and Teatro Petruzzelli in Bari. She made her Semperoper debut as Carmen in 2022 and returned as the Witch in Hänsel und Gretel. In 2027, she is scheduled to sing Offred’s Mother in The Handmaid’s Tale at Finnish National Opera.

Ms. Milkova also maintains a substantial concert repertoire, including the requiems of Mozart and Verdi, Mahler’s symphonies and Wagner’s Wesendonck-Lieder. Appearances at KKL Luzern and Tonhalle Zürich complement her work on the operatic stage.

Read full biography1 min read

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