Martin-Jan Nijhof, Bass-baritone
Martin-Jan Nijhof, Bass-baritone

The artist

In focus.

Ensemble
(Current) Semperoper Dresden, (Former) Theater Magdeburg, Theater Regensburg, Landestheater Niederbayern
Freelancer
Dresden Philharmonic, NDR Radiophilharmonie Hannover, Shanghai Symphony Orchestra, Transylvania State Philharmonic

Since 2016, Dutch bass-baritone Martin-Jan Nijhof has been a permanent member of the ensemble at the Semperoper Dresden. His repertoire at the house includes Figaro and Bartolo (Le nozze di Figaro), Escamillo (Carmen), Colline (La bohème), Don Alfonso (Così fan tutte), Angelotti (Tosca), Truffaldin (Ariadne auf Naxos), Sprecher (Die Zauberflöte), Surin (The Queen of Spades), and the Doctor in Shostakovich’s The Nose. He has worked under conductors such as Christian Thielemann, Omer Meir Wellber, Christoph Gedschold, Mikhail Tatarnikov, Evelino Pidò, Leonardo Sini, Giedrė Šlekytė, Evan Rogister, Gaetano d’Espinosa, John Fiore, Petr Popelka, and Giampaolo Bisanti.

Mr. Nijhof has appeared in numerous audio and video recordings, including Il tabarro with the Dresden Philharmonic under Marek Janowski, La bohème, Rigoletto, La traviata, and Tosca with the NDR Radiophilharmonie Hannover led by Keri-Lynn Wilson, La fanciulla del West with the Transylvania State Philharmonic under Lawrence Foster, and Don Giovanni with the Shanghai Symphony Orchestra conducted by David Stern.

Equally active on the concert stage, Mr. Nijhof’s repertoire includes the bass solos in Bach’s St. Matthew Passion, St. John Passion, and Christmas Oratorio; Rossini’s and Dvořák’s Stabat Mater; Beethoven’s Ninth Symphony; Brahms’ Ein deutsches Requiem and Vier ernste Gesänge; Mendelssohn’s Elias; and Mahler’s Kindertotenlieder.

Born in Ravenstein, the Netherlands, Mr. Nijhof studied at the Maastricht Conservatory with Barbara Schlick and completed postgraduate studies at the State University of Music in Freiburg im Breisgau with Reginaldo Pinheiro. He continues to work closely with bass Jaakko Ryhänen.

Before joining the Semperoper Dresden, he held ensemble positions at the Landestheater Niederbayern, Theater Regensburg, and Theater Magdeburg. During this period, he appeared in roles such as Kaspar (Der Freischütz), Wozzeck, Don Giovanni and Leporello (Don Giovanni), Daland (Der fliegende Holländer), Sarastro (Die Zauberflöte), Raimondo (Lucia di Lammermoor), Orest (Elektra), the Bonze (Madama Butterfly), Timur (Turandot), and Bottom (A Midsummer Night’s Dream).

Artistry, in motion.

Phillip II Arie Ella gammai m'amo Martin-Jan Nijhof

Selected recordingWatch on YouTube ↗

In Dreams Songs of Travel Martin Jan Nijhof

Selected recordingWatch on YouTube ↗

Elias Arie Ist nicht des Herrn Wort wie ein Feuer Martin Jan Nijhof

Selected recordingWatch on YouTube ↗

From the agency journal

Beyond the profile.

Recent Kanttila Management posts featuring Martin-Jan Nijhof.

TOI TOI TOI!

🎉 The biggest TOI TOI TOI to baritone Daniel Gutmann for jumping in today as Papageno in "Die Zauberflöte" at Semperoper Dresden! 🦜🦜🦜 And there’s more! ✨ In the same production, you can also hear two other Kanttila Management singers: Martin-Jan Nijhof as the Sprecher and Timothy Oliver as Monostatos!

Instagram

✨ A huge congratulations to the wonderful @martinjannijhof on his stunning debut as Der Fliegende Holländer in Osnabrück!

🌊⚓️ Martin-Jan truly brought down the house 👏👏 – we couldn’t be prouder of this milestone in his career. A special thank you as well to @annabelle_pichler for her amazing support and for helping us capture these beautiful moments 📸❤️ #Opera #FliegenderHolländer #Osnabrück #theaterosnabrück #Debut #OperaSinger #OperaLife #KanttilaManagement #Wagner #OnStage #OperaWorld

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